Showing posts with label Cannes. Show all posts
Showing posts with label Cannes. Show all posts

Sunday, June 22, 2008

And the Whiner is…


The First Annual Creative Beef Cannes Awards

Best Bar:
The Gutter (duh)

Stupidest Made-Up Word:
Tie
Creativology & Advergame


Ugliest Lounge Color Scheme:
Take Your Pick

Best Advertising for a Product No One Has Heard of:
HBO Voyeur Campaign

Best Evidence that Drugs are Still a Necessary Part of the Creative Process:

Dutch Young Creatives Bus









Best Cannes Breakfast:
Espresso and a Heineken

Best Outfit That is Supposed to Demonstrate Your Rebellious Nature but Actually Reveals That You are One of the Flock:
Jeans, Blazer, Ironic T-shirt

The Hardest Working People at Cannes (According to their Blogs):
The Judges

Lamest Headline at the Festival:
Big ideas can make anyone feel small.

Best Cyber Ad
Gold- UNIQLOCK










Silver-Badgers Badgers Badgers









Bronze-All Your Bases









On the Plus Side:
I thought Gorilla was pretty funny.

Friday, June 20, 2008

Fun du Friday


Things Overheard at Cannes:

1. Does my Armani blazer go with my wii-tard t-shirt?

2. I totally love the BBDO Voyeur ad. What’s it for?


3. Just wait till my client hears about this Web 2.0 thing!

4. Can you change this charge on my hotel bill from “Full-Body Massage with Extras” to “Vender Dinner”?

5. How do you say “creativology” in French?

6. So what? I’m married too.

7. Who do you have to sleep with to get on the Microsoft yacht?

8. It’s not just a big party it’s a really important, uh…excuse me, I have to go vomit in the bushes.

9. What happens in Cannes, stays in Cannes!

10. If my boss could see me now I’d be so f-ing fired.

11. I think it’s about time that we start seriously thinking about beginning a preliminary discussion on the possible idea that the web could in some small way be totally altering the way advertising works. (Or maybe we could wait until next year.)

12. And finally:

These pictures aren’t going on the web, right?


Photo courtesy of AdAge.

Thursday, June 19, 2008

Cannes: Day 3


I swear to god I was about to give up. I thought I might just catch a train and find a quiet beach far away from the adness of Cannes.

But then I heard a whisper of hope.

Nike global director of digital media Stefan Olander made a speech where he said that he doesn’t see the web as a new advertising medium. It’s a place to provide Nike customers with new services. Pretty simple idea, huh? Instead of advertising on YouTube and Facebook, why not BECOME YouTube and Facebook?

For someone who has spent the better part of a decade plastering banner ads all over the web, this attitude came as a breath of fresh air. It almost made me want to believe again.

Almost.

Wednesday night they handed out the Cyber Lions. Projector Tokyo took home a GPL for "Uniqlock,” an odd “webclock” that promotes the clothing retailer Uniqlo. The site has achieved the holy grail of digital advertising, it has gone viral. (I’ll even give it a helping hand.)

I liked the site. I even showed it to a few people. But then I noticed that everyone seemed to have the same reaction, a sort of half-laugh. I decided that what makes the site appealing is that it is kind of, well…stupid.

Not that there’s anything wrong with that. Let’s face it, there are a lot of reasons why something hits big on the web. It might be nudity, or conspiracy or even brilliance. But most of these things only appeal to a small section of the community. The one thing that seems to appeal to all demographics is really, really stupid stuff. From chanting badgers to dancing chickens to lolcats, it’s the one thing that unites us.

Which is great if your collegehumor.com. But is it good advertising? (That’s not a rhetorical question. I really don’t know.)

Let’s say an international investment firm produces a huge viral hit featuring dancing potatoes and a smart-talking Jamaican beach ball. Will this make their brand cool? Will it make people switch their accounts? Or will it make them think that someone in the corner office got talked into producing someone’s passport to The Family Guy writing staff?

Like I said, I don’t have the answers. These are deep questions, and Cannes is defiantly not the place for deep questions.

Tomorrow, Friday Fun, en Francé!

Wednesday, June 18, 2008

Cannes: Day 2



I woke up, and the inside of my mouth tasted like Gouda rind.

Way too many beers last night at the Gutter. I have this fuzzy memory of yelling at a group of art directors from TBWA\Chiat \Day. “You were the future! But now you’re just an ad agency!” So I started the day out right with a killer hangover. And I was woken up at 6am by the Dutch stoners. (It seems they like to start their mornings with a little jogging.)

So on to the Lions. I spent most of my morning emailing from the Microsoft “Creativology” Lounge. Microsoft is everywhere here at Cannes. Even the lanyards have the happy Microsoft logo. (Hmm, I wonder why they don’t say Vista?)

Tuesday’s big news was that BBDO-NY took the Grand Prix Lion in Outdoor for their HBO Voyeur campaign. It was BBDO-NY’s second win in two days. The ad was pretty impressive. On a building in New York, they projected a huge image of an apartment building with all of its exterior walls removed (sort of like a dollhouse).

I liked the ad, but it started me thinking about advertising awards in general. What’s the point of them? Are they just there to separate the geniuses from the also-rans? Just a way to inflate already inflated egos?

If there is a constructive reason for awards, it must be to inspire. We in the industry should look at award-winning work and say to ourselves, “Wow, I hope someday I can make something that good.”

And here’s my problem with the HBO Voyeur ad. How is this hugely expensive, one-time media event supposed to inspire me to make a great billboard? Am I supposed to go to my next pitch and tell the client, “I have a great idea! Just take your entire year’s advertising budget and spend it on one outdoor ad in New York!”? (Leo Burnett-Chicago came close to a win in the media category with a McDonald’s billboard that featured live plants. I can just see how that would work on a limited budget. “Hey Ernie, would you mind driving downtown and watering the outdoor?”) With competition like that, is it even possible to win an outdoor award with a few brilliant words on a plain background?

More tomorrow. But right now there’s a Kronebourg with my name on it.

By the way, I just heard two guys excitedly talking about Web 2.0 as if it was something brand new. Bleh.

Tuesday, June 17, 2008

Cannes Report: Day 1


Man that was a long flight. But I’m finally here in Cannes. Well, I’m not really staying in Cannes. All the hotels were booked, so I found a youth hostel in Nice just a short 50 minute bus ride from all the action.

But I’m not here to complain about my filthy shared bathroom or the Dutch stoners who stole my slippers. I’m here to report on the world’s most glamorous gathering of advertising people.

The first big winners were J. Walter Thompson-India and BBDO-NY. I wanted to interview the JWT folks about their Lead India campaign. But the entire JWT delegation was behind locked doors in a suite at the InterContinental Carlton. I tried to talk my way in, but the security staff told me that only people with serious press credentials were allowed. I pulled out a handful of Euros, but the guards just stared at me with a look of disgust that only the French can muster.

Later when I was standing in line at the Gutter Bar, I thought I saw someone inside with a BBDO-NY name tag. “Hey!” I shouted. “Do you consider your HBO Voyeur work to be homage to Hitchcock’s Rear Window?” For a second, I thought she might have heard me. But then she turned around and went back to doing body shots off the neck of a French underwear model.

With two strikes against me, I headed to the nearest dive bar to regroup. I was on my second warm Kronenbourg, when he walked in. His lanyard said he was part of the festival, but this three-day growth and faded sports coat told me that he wasn’t going to be attending any meetings. I decided to talk to him. I figured I could at least get him to shell out for a few free rounds.

Three beers later (his tab), and I had his whole story. His name was E., and he had done it all. He‘d been a writer, a creative director, a partner. He had won Clios, Lions and every other advertising award you can win. Now he was some sort of part-time consultant for a big brand agency. They were paying his tab to Cannes.

It turned out that E. had some strong opinions about the festival.

“I’ve been to 22 of these things, and every year they get more and more irrelevant. 90% of the people are just here for the free booze and food. This thing used to be full of smart people. People who knew how the world worked. Now it’s just a bunch of rich suits patting themselves on the back ‘cause one of their interns had an idea that got big on YouTube.

"The whole industry’s changing and these people have no idea what to do. They introduced a radio category in 2005. That was four years after XM had started making commercial radio obsolete. You see, new ideas scare them. New technologies scare them. So they just grasp at the old rules and try to bluff their way through the year. You want to know why ad execs like that show Mad Men so much? It’s not nostalgia. It’s ‘cause it shows a world they can still understand.”

He was starting to make sense, and that scared me. I decide to skip another round and grab a bus back to my room.

As I was heading for the door, E. called out to me.

“Hey kid, you want to have some fun? Tomorrow when you see a group of ad people whooping it up, walk up to them and say, ‘Google’.” It scares the crap out of them.

More Wednesday.